Part 4 of 5
So as a developing sophisticated listener, musical elements such as vocal narrative, melody, and improvisation are becoming easier to consume. At this point, we bid o digba to the voice and gaze toward the instrument. The listener is ready to take on the workings of an ensemble. In this case, an ensemble is a group of musicians performing together to create a single song or piece of music.
As a listener with a flourishing sophisticated ear, this is the opportunity to sonically observe, or better yet enjoy, how musicians use their instruments to work through and communicate musical narratives, melodies, and improvisation. Here the listener will be able to appreciate the many musical instruments in an ensemble. Closely listen to the drummer, the bassist, the pianist, the saxophonist, the guitarist, and the trumpeter. This may take more than one listen, which is a good thing. Things to consider while listening: What instrument stands out to you? How does the instrument make you feel? How is the ensemble working together? Does it all fit together? What is your overall impression of the song and/or musicians? If you could rename the song, what would you name it?
Take a listen to Art Blakey and the Jazz Messengers’ tune “Moanin.” Listen to how trumpeter Lee Morgan swings through his solo then leads saxophonist Benny Golson into his. Listen to pianist Bobby Timmons make a musical statement you must to hear. Then take a close listen to bassist Jymie Merritt as he takes his turn at a solo all while being held in check by bandleader and drummer Art Blakey. It is a fascinating sophisticated listen.
Go further: listen to Miles Davis’ “So What.” This song appears on his album title Kind of Blue, which is considered the greatest jazz album . . . . ever! What a conversations, wow!